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90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top, 640mm,  radius, Cutaway.  FABULOUS SOUND !! (Case included).
No other builder on Earth builds Cutaways that sound as loud or louder than their classical counterparts. I am the only exception to the rule. For one thing, I consider the cutaway to be the greatest breakthrough in guitar construction, It solves the dilemma of having to deal with the higher positions (past the 12th fret) without having to change the playing position and angle of presentation of the hands. The set of Brazilian rosewood I used on this babe has been air drying for over 90 years in Belo Horizonte. It was shipped to me encapsulated in wax towards the end of July. The tap tone and figuring are spectacular. Perfectly book matched halves and a tap tone that transformed in a big sound full of every musical color shade the player could dream of.
I used an exclusive Brazilian handmade rosette to crown the sound hole and matching luxury French marquetry. Recording Asturias I could immediately feel the fast response of the instrument to my right hand plucking. The case sends big vibrations throughout the body of the performer and the whole instrument vibrates gloriously. Playing Asturias on the 640 mm radiused fingerboard felt natural and changing left hand positions was swift and easy. Listen how each one of the 6 strings sends a personal signature differentiating it from all the others... The palette of harmonics and mid range frequencies is rich and well in the foreground.
She comes with a Violin tie which is a plus that I am certain will become mainstream in guitar construction. The tailpiece on a guitar is called for just as it is on every other member of the strings family (violin, etc.). When the first classical guitars were built, gut strings were the norm... the tension on these was nothing compared to modern nylon strings. A tailpiece was redundant... Anchoring the strings to the lower bout meet point, which is one of the sturdiest parts of the instrument, allows the builder to thin the top more allowing for  a much bigger sound and not recur to the use of carbon fiber (Smallman and others) that give the guitar a "plastic sound. ". I put artistry in every detail to decorate this concert guitar in a way that will simply enamor her fortunate owner...  I am convinced that beautiful instruments make you perform A LOT better...they are an intricate part of the player and his artistry.
You can request several extras on checkout like the 4 Band EQ/Tuner, position markers, upgrade to a Leather case etc. 
Do not miss on this fantastic cutaway.
 
90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top
Handmade Brazilian rosette
90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top
High altitude spruce (pines)
Italian Alpine spruce grows at extremely high altitudes in very cold environment. This slows the growth making the fibers tight and musically very resonant.  A beautiful range of sound with a fast response. Clear trebles and a reverberating bass that makes the whole body vibrate. 
90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top
Hear this fabulous Lattice Braced Alpine spruce TOP

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90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top
90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top

90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top

90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top
90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top

90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top
 

90 years old Brazilian rosewood B&S, LATTICE braced Alpine spruce top

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