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Aged Brazilian rosewood B&S, Doble tapa(Contreras style)+LATTICE, Cedar top, Ebony bindings, radiused ebony fingerboard, violin tie, armrest & bridge. 640mm fret spacing. Embossed leather case included. Wonderful !! Work of ART !
You must hear and see the sample video I made of this Lattice braced Cedar top babe so as to give her a fair chance. All my words to describe the poignant basses, the clear trebles and balanced voices will fall short in trying to describe her. The 90+ years aged Rosewood back and sides from Minas Gerais  (Brazil) have been complemented by a lattice braced cedar top. Decorating her was done thinking of the most beautiful princess. A Spanish inspired Handmade Russian rosette coupled by luxury marquetry details like the ebony bindings, the decorated bridge and attention and beauty to elevate every little spot to the maximum possible beauty. I always stress this truth: A guitar must sound beautiful and MUST look beautiful. This Cedar top beauty fulfills both requirements with flying colors.
Doble tapa
Making the Contreras Double top
Making the Contreras Doble tapa

Bellucci guitars
 Brown plush interior

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The doble tapa, was developed and introduced by  Master Luthier Manuel Contreras the II at the end of the 70s and reached its peak in the 80s. The word "Tapa" in Spanish translates to top in English but it refers to the back of the instrument. Therefore, Contreras doble tapa is actually a "Double back".

The lattice is a concept based on the A frame of grand pianos. The back and sides are kept rigid by means of a sturdy A shaped frame and the top is thinned as much as possible to allow the top to vibrate generously. As you see from the picture above, the thinned area is approximately 1.2 mm thick (VS 2-2.5 in the standard thinning techniques). Lattice delivers a lot of volume (approximately 21 dbs more) and wonderfully clear trebles.

Radiused or flat fingerboard?
The radiused fingerboard has been around the acoustic and the electric guitar since day one. The same is true for most instruments of the Stringed family of instruments (violas, violins cellos, bass). Radiusing (image above) makes barre and left hand stopping A LOT easier. The only drawback is that you will NEVER want to play a  flat fingerboard after that. If you are having your custom guitar built, I am all pro radiusing the fingerboard.  The standard fingerboard is flat.

The hand embossed leather case is a work of art on its own right. Built by one of a handful of very talented leather embossers in Latin America. Its built following my specifications for the interior to fit Bellucci guitars like a glove. All Plush interior, key and accessories compartment. You can request an upgrade to a Cow hive front and back version.

640mm or 650 mm?
Regarding 650mm or 640 mm fingerboard fret spacing, keep the following rule at hand: If the distance between the tip of your thumb and the tip of your little finger is equal or less than 9 in. when fully stretched, use 640 mm. Adapting from one scale to the other takes no adaptation.

Aged Brazilian rosewood B&S, DOBLE TAPA Cedar top
HEAR THIS DOBLE TAPA+lattice CUTAWAY MASTERWORK

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Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
 
 
 
 
 
 
 
 

96 years air dried Brazilian rosewood B&S, DOBLE TAPA, CONTRERAS STYLE (variation 1)

* ACTUAL PICTURES AND VIDEO
 
 

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