mangore.comRenato Bellucci logo
When I eventually met Mr Right I had no idea that his first name was Always
 
Custom Series Testimonials Bellucci guitars GALLERY Guitar workshop
Aged Brazilian rosewood B&S, Doble tapa(Contreras style)+LATTICE, Cedar top Cutaway, Ebony bindings, radiused ebony fingerboard, violin tie, armrest & bridge. 640mm fret spacing, soundport in upper bout. Embossed leather case included. WOW !!
This astonishing babe confirms what I always knew: My concert cutaways are the best on the planet BY FAR ! A huge sound with terrific punch, sustain and separation of voices make her stand out from the crowd. The 92+ years air dried cut of Brazilian rosewood was matched by a selected set of Western redcedar. Lattice bracing to clarify and separate the voices and enhance the mid/hig frequencies in general. The huge bass line is enhanced by the doble tapa (Contreras style) that makes the instrument vibrate fully and send huge vibration all around the player. The violin tie and armrest allow the top to vibrate fully and uniformly and the life of the top is increased geometrically. An easy 640 scale with 1/16 radius added to the cutaway, make playing on this babe an experience you will never want to part with. Playing Romance, I felt as if the guitar helped me elevate the piece to a much higher level. The response to the right hand is immediate and any minimum change in the angle of attack will result in a change in tone...The palette of "colors"  becomes endless. A  FABULOUS guitar !
Doble tapa
Making the Contreras Double top
Making the Contreras Doble tapa

Bellucci guitars
 Brown plush interior

.
The doble tapa, was developed and introduced by  Master Luthier Manuel Contreras the II at the end of the 70s and reached its peak in the 80s. The word "Tapa" in Spanish translates to top in English but it refers to the back of the instrument. Therefore, Contreras doble tapa is actually a "Double back".

The lattice is a concept based on the A frame of grand pianos. The back and sides are kept rigid by means of a sturdy A shaped frame and the top is thinned as much as possible to allow the top to vibrate generously. As you see from the picture above, the thinned area is approximately 1.2 mm thick (VS 2-2.5 in the standard thinning techniques). Lattice delivers a lot of volume (approximately 21 dbs more) and wonderfully clear trebles.

Radiused or flat fingerboard?
The radiused fingerboard has been around the acoustic and the electric guitar since day one. The same is true for most instruments of the Stringed family of instruments (violas, violins cellos, bass). Radiusing (image above) makes barre and left hand stopping A LOT easier. The only drawback is that you will NEVER want to play a  flat fingerboard after that. If you are having your custom guitar built, I am all pro radiusing the fingerboard.  The standard fingerboard is flat.

The hand embossed leather case is a work of art on its own right. Built by one of a handful of very talented leather embossers in Latin America. Its built following my specifications for the interior to fit Bellucci guitars like a glove. All Plush interior, key and accessories compartment. You can request an upgrade to a Cow hive front and back version.

640mm or 650 mm?
Regarding 650mm or 640 mm fingerboard fret spacing, keep the following rule at hand: If the distance between the tip of your thumb and the tip of your little finger is equal or less than 9 in. when fully stretched, use 640 mm. Adapting from one scale to the other takes no adaptation.

Aged Brazilian rosewood B&S, DOBLE TAPA Cedar top
HEAR THIS DOBLE TAPA+lattice CUTAWAY MASTERWORK

 

Payments:
Credit cards, Debit Cards
Paypal, etc.

US$ 2,280

1,483€

Please allow a few seconds for the image to load
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
Aged Brazilian rosewood B&S Doble tapa (Contreras style) + lattice
 
 
 
 
 
 
 
 

96 years air dried Brazilian rosewood B&S, DOBLE TAPA, CONTRERAS STYLE (variation 1)

* ACTUAL PICTURES AND VIDEO
 
 

TOP

Home | Biography | e-m@il
Classical guitar player Renato Bellucci:  logo

Copyright ©,
all rights reserved 1997-2009

setstatssetstatssetstatssetstatssetstats