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Custom Series Testimonials Bellucci guitars GALLERY Guitar workshop
94 years air dried Brazilian rosewood B&S, DOUBLE TOP, CONTRERAS STYLE + LATTICE  Alpine spruce top, Gabon Ebony bindings, radiused ebony fingerboard, Ebony armrest, bridge and violin tie. French Polynesia Mother of pearl rosette,  640mm fret spacing. CUTAWAY. Embossed leather case included. SPECTACULAR !!! Fabulous sound !!
The doble tapa Contreras style seems to be taken to its highest possibilities when matched with a lattice braced top. I know for a fact that no other builder has achieved the level of experimenting that I have along with my skilled luthiers. Adding the lattice to an already big sounding DOBLE TAPA simply appealed to my common sense and when that happens it is irresistible to follow its impulse. I am happy I ventured because the resulting instrument is the best of the guitar world...the sustain and punch offered by the doble tapa coupled with the high/mid ranges enhancer typical of the lattice...you get the best of both worlds... This is probably the type of instrument I'd choose if I could only  have 1 in a lifetime.
Making her GORGEOUS was the romantic part of the project. A gorgeous handmade French Polynesian mother of pearl rosette looks as gorgeous on her as a diamond collar around the neck of a princess. Astonishingly GORGEOUS. Every possible Bellucci enhancement and artistry detail was incorporated to take this guitar to the Guitar Olympus where she sings MAJESTICALLY.
Aged 94 years Brazilian rosewood B&S, LATTICE BRACED Alpine Spruce top Alpine spruce
Italian Alpine spruce
The lattice is a concept based on the A frame of grand pianos. The back and sides are kept rigid by means of a sturdy A shaped frame and the top is thinned as much as possible to allow the top to vibrate generously. As you see from the picture above, the thinned area is approximately 1.2 mm thick (VS 2-2.5 in the standard thinning techniques). Lattice delivers a lot of volume (approximately 21 dbs more) and wonderfully clear trebles.

Bellucci guitars
 Brown plush interior

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Radiused or flat fingerboard?
The radiused fingerboard has been around the acoustic and the electric guitar since day one. The same is true for most instruments of the Stringed family of instruments (violas, violins cellos, bass). Radiusing (image above) makes barre and left hand stopping A LOT easier. The only drawback is that you will NEVER want to play a  flat fingerboard after that. If you are having your custom guitar built, I am all pro radiusing the fingerboard.  The standard fingerboard is flat.

The hand embossed leather case is a work of art on its own right. Built by one of a handful of very talented leather embossers in Latin America. Its built following my specifications for the interior to fit Bellucci guitars like a glove. All Plush interior, key and accessories compartment. You can request an upgrade to a Cow hive front and back version.

640mm or 650 mm?
Regarding 650mm or 640 mm fingerboard fret spacing, keep the following rule at hand: If the distance between the tip of your thumb and the tip of your little finger is equal or less than 9 in. when fully stretched, use 640 mm. Adapting from one scale to the other takes no adaptation.

Aged Brazilian rosewood B&S, DOBLE TAPA + Lattice CUTAWAY
HEAR this doble tapa + LATTICE Cutaway Masterpiece
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92 years air dried and highly figured Brazilian rosewood B&S, DOUBLE TOP, CONTRERAS STYLE
92 years air dried and highly figured Brazilian rosewood B&S, DOUBLE TOP, CONTRERAS STYLE
92 years air dried and highly figured Brazilian rosewood B&S, DOUBLE TOP, CONTRERAS STYLE

92 years air dried and highly figured Brazilian rosewood B&S, DOUBLE TOP, CONTRERAS STYLE
92 years air dried and highly figured Brazilian rosewood B&S, DOUBLE TOP, CONTRERAS STYLE

92 years air dried and highly figured Brazilian rosewood B&S, DOUBLE TOP, CONTRERAS STYLE
92 years air dried and highly figured Brazilian rosewood B&S, DOUBLE TOP, CONTRERAS STYLE
 

Leather case

* ACTUAL PICTURES AND VIDEO
 
 

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