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92 year old Brazilian rosewood B&S, LATTICE braced Alpine spruce top, Doble tapa Contreras +  V1 (see photo below) Concert guitar Maple bindings, 16" radiused ebony fingerboard, violin tie, armrest & bridge. 640mm fret spacing. Double Soundport in upper bout. Embossed leather case included. WORK OF ART !
What a Wonderful guitar !! She inspires the player from the instant that your eyes meet her curves and amazing beauty. This only lasts until you start playing on her. FABULOUS ! I wanted to play Cavatina because the piece requires the swiftest action to sound clean. She delivers marvelously. The sound is aggressive still sweet and malleable and you ALWAYS feel in control. I used a gorgeous Southern Brazil set of 92 years air dried Brazilian rosewood for the back and sides. I complemented it with a superb Italian Alpine spruce top from Northern Italy (Val D; Aosta). The lattice braced works marvelously with the doble tapa. One augments the mid ranges and the other sustain and punch making the sound on this Queen shine wonderfully. 
Lattice Alpine spruce
Italian Alpine spruce
Doble tapa
View of the second top halfway top 1 and the back

Bellucci guitars
 Brown plush interior

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The doble tapa + V1, was developed and introduced by  Master Luthier Manuel Contreras the II at the end of the 70s and reached its peak in the 80s. The word "Tapa" in Spanish translates to top in English but it refers to the back of the instrument. Therefore, Contreras doble tapa is actually a "Double back". The Variation 1 adds a second floating cedar top halfway between the first doble tapa and the main lattice braced spruce top.

The lattice is a concept based on the A frame of grand pianos. The back and sides are kept rigid by means of a sturdy A shaped frame and the top is thinned as much as possible to allow the top to vibrate generously. Lattice delivers a lot of volume a tremendous clarity. 

640 mm  Scale lenght
Guitar scale lenght

The hand embossed leather case is a work of art on its own right. Built by one of a handful of very talented leather embossers in Latin America. Its built following my specifications for the interior to fit Bellucci guitars like a glove. All Plush interior, key and accessories compartment. You can request an upgrade to a Cow hive front and back version.

Radiused or flat fingerboard?
radiused
The radiused fingerboard has been around the acoustic and the electric guitar since day one. The same is true for most instruments of the Stringed family of instruments (violas, violins cellos, bass). Radiusing (image above) makes barre and left hand stopping A LOT easier. The only drawback is that you will NEVER want to play a  flat fingerboard after that. If you are having your custom guitar built, I am all pro radiusing the fingerboard. 

Hear this BRAZILIAN ROSEWOOD Concert guitar
Hear this BRAZILIAN ROSEWOOD Concert guitar

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Brazilian rosewood B&S, Alpine spruce top Concert guitar

Brazilian rosewood B&S, Alpine spruce top Concert guitar

Brazilian rosewood B&S, Alpine spruce top Concert guitar

Brazilian rosewood B&S, Alpine spruce top Concert guitar

Brazilian rosewood B&S, Alpine spruce top Concert guitar
 
 
 

Brazilian rosewood B&S, Alpine spruce top Concert guitar
 

Brazilian rosewood B&S, Alpine spruce top Concert guitar
 
 

96 years air dried Brazilian rosewood B&S, DOBLE TAPA, CONTRERAS STYLE (variation 1)

* ACTUAL PICTURES AND VIDEO
 
 

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