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Bellucci concert guitars are the result of hundreds of hours of passionate work and dedication. It all started in Italy in 1968. Andres Segovia, Narciso Yepes and Abel Carlevaro were my guitar teachers and are the men responsible to make the seed of music germinate and grow with every passing year. My love for luthery on the other hand, comes from living in a country with a long tradition in instrument construction that dates back to the Jesuit Reductions of the 15th Century.  The proximity to the best source of woods at the most competitive prices and a low cost of labor, have made it possible for me to come up with great concert class instrument. I build classical guitars from a player's perspective and playability, sound and stunning beauty are my main objectives. Concert guitars with these characteristics are sold anywhere between 8,000 and 20,000 US$ in the US and Europe. My concert guitars are 100% hand crafted in Asuncion, Paraguay and are played in over 90 countries.
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Secial HAUSER
Brazilian Rosewood
120 year air dried Brazilian Rosewood B&S, Bellucci/Hauser braced Cedar top Concert Guitar
Magnify
February 3, 2012
AVAILABLE
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1.Magnify
Brazilian Rosewood B&S, Bellucci/Hauser braced Cedar top Concert guitar

Payments
US$ 2,580
2,052 Euro

DHL Shipping: USA 184 USD, Europe 223 USD, Asia 278 USD

120 year air dried Brazilian Rosewood B&S, Bellucci/Hauser braced Cedar top Concert Guitar
120 year air dried Brazilian Rosewood B&S, Bellucci/Hauser braced Cedar top Concert Guitar
Magnify

Guitar Specs

-120 year air dried Brazilian Rosewood B&S 
-Cedar top
-52mm nut
-640 mm scale
-20" radius
-Soundport on the Indented Cutaway
-Bellucci/Hauser Bracing
-Mixed wood bracing style
-Gold Plated Carved tuners
-Ebony armrest and decorated bridge
-Double sequential soundport in the upper bout
-Hawaiian Koa bindings
-19 frets
-Bone nut and saddle 
-Macassar Ebony fingerboard
-Hand crafted luxury marquetry on all sides
-Thin Polyurethane finish 
-D'Addario Pro Arte Normal tension strings
-Optional violin tie


USHello Renato

I received my guitar today.  I can't believe how quickly it got here.
What a Christmas present !   I was so excited to get it.
It is absolutely beautiful . And she sounds wonderful.   I love the depth and volume of the lower strings, yet the upper strings have a brightness as well.

Thank you so much!

Have a Happy Holiday Season !

Virginia Huey, Encintas, CA, December 14, 2011, hueyherz< at >att< dot >net
 

120 year air dried Brazilian Rosewood B&S, Bellucci/Hauser braced Cedar top Concert guitar. 640mm, 20" Radiused Ebony fingerboard, Luxury marquetry on all sides, Gold plated carved tuners. Ebony armrest and decorated bridge, Hawaiian Koa bindings. Lute type Maple rosette, Indented Cutaway with soundport and double sequential soundport in the left upper bout. Embossed leather case included. Gorgeous!
120 year air dried Brazilian Rosewood B&S, Bellucci/Hauser braced Cedar top Concert Guitar


 
I am stunned at the magnificent sound that my new Da Vinci series guitars can produce. The amazing sound she produces is reflected in the body several times and it "explodes" out of the Soundports at an amazing seed with a power and sustain that conquer me every time. Amazing ! The set of Brazilian Rosewood is from South Eastern Brazil (Minas Gerais) and it was air dried for over 120 years in an old demolished fazenda (farm). The set has been around since the days when humanity had just been introduced to the telegraph... that is how old it is. And it shows in the mature sound and the perfect bookmatching. The bass is deep, clear and with a powerful punch that sends huge vibration to the chest of the player. The response in Spanish and Romantic music is perfect and the clarity and separation of voices she displays during Baroque performance is unbeatable. It was a pleasure to play her for almost one hour this morning.  Decorating her was a work of art in every way... from the handmade marquetry that so elegantly decorates her lines, passing to the Quilted Maple lute type rosette and the special cutaway, the skill of luthery is elevated to its highest levels. Finally, playability is perfect. The left hand is never strained and thanks to the radiused Ebony fingerboard, the low action at just 3.8mm at fret 12, the slim neck and eh special cutaway, you will not believe how smooth and easy she feels. 

The fan brace is based on the Hauser 1943 Frame. It incorporates 4 different species of wood: Sinker redwood, Spruce, Cedar and Mahogany. The sinker Redwood is the transversal strut that shortens the trebles side to augment the power of the high registers whilst Cedar and spruce were used on the bass side to augment the power of and resonance of the bass line. I think I can affirm that she has the most powerful 6th string I have ever heard and one of the best ringing trebles you can hope for. Simply amazing. The top was reduced to less than 1 mm towards the edges and just a little over 1 mm towards the bridge area where I installed a new underbridge system that connects the bridge with each strut in the fan brace whilst directing each frequency to the right portion of the top.


650 mm or 640 mm?
Keep the following rule at hand: If the distance between the tip of your thumb and the tip of your little finger is equal or less than 9 in. when fully stretched, use 640 mm.

Radiused or flat fingerboard?
The radiused fingerboard has been around the acoustic and the electric guitar since day one. The same is true for most instruments of the Stringed family of instruments (violas, violins cellos, bass). Radiusing (image above) makes barre and left hand stopping A LOT easier. The only drawback is that you will NEVER want to play a  flat fingerboard after that. If you are having your custom guitar built, I am all pro radiusing the fingerboard.  The standard fingerboard is flat.



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  • Contact Maestro Renato Bellucci if you have any doubts or need advice: mail renato
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