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| Custom Orders | Ready to ship guitars | Workshop | Gallery | Testimonials | m@il | Maestro Bellucci |
| My passion for the classical guitar started in Italy in 1968. It has taken me to study with Andres Segovia, Narciso Yepes and Abel Carlevaro among other legendary classical guitar players and teachers. Master craft luthiers, low cost of labor and the proximity to the best source of woods at the most competitive prices available, have made it possible for me to come up with great concert class instrument. I build classical guitars from a player's perspective and rescue the best work of every great luthier that has walked this path before me. A custom concert guitar with these characteristics is sold anywhere between 8,000 to 20,000 US dollars in Europe and the US. Bellucci concert guitars are built using all solid wood exclusively, are 100% hand crafted in Asuncion, Paraguay by the best luthiers in the region and are played in over 83 countries |
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| 1. African Blackwood B&S DOUBLE TOP (Contreras style) Lattice Braced Alpine Spruce top
Ready for immediate shipping US$ 3,200 2,440 €urosDHL Shipping: USA 144 USD, Europe 183 USD, Asia 238 USD |
African
Blackwood B&S,
Double top (Contreras style),
Lattice Braced Alpine Spruce TOP. Ebony bindings, 16" radiused
ebony fingerboard, violin tie, armrest & bridge. Soundport in upper
bout, 640mm fret spacing. Embossed leather case included. GRAND GUITAR
!
African Blackwood, the hardest, densest, most expensive and rare wood on the planer always creates astounding guitars. It has an amazing human like quality to the sound with a touch of night owl attached to it that make it sing like no other tonewood. This wood is the top choice for clarinets and oboes because of its sound capabilities and ease of work with rotating machines. The story is a different one when luthiers want to bend the sides for a guitar and start sculpting it. Tools literally break down and have to be constantly filed to recuperate their edge. The bass in the prelude seems to have a life of its own and jumps out of the body at an amazing speed. The lattice braced Alpine spruce adds the clarity and punch typical of the Italian species. Finally, The Brazilian rosewood Double top, is responsible for the tremendous sustain and reverberance of the whole instrument. You can hear what I mean in the Bach recording I made as a demo. The Bass pedal consisting of the two Ds played on the 6th and 4th string respectively, send huge vibration throughout the guitar and to the player. The Ds seem to last forever and I am literally astounded by their power and presence. She's easy to play and is a great ally of the performer in the creation of every musical sentence. Ebony to accompany the Blackwood is present all over: In the bindings, fingerboard headstock, violin tie armrest and bridge giving her a unique appearance worthy of the greatest guitars. A jewel instrument ! The double top, was developed and introduced by Master Luthier Manuel Contreras the II at the end of the 70s and reached its peak in the 80s. The word "Tapa" in Spanish translates to top in English but it refers to the back of the instrument. Therefore, Contreras doble tapa is actually a "Double back". The lattice is a concept based on the A frame of grand pianos. The back and sides are kept rigid by means of a sturdy A shaped frame and the top is thinned as much as possible to allow the top to vibrate generously. Lattice delivers a lot of volume a tremendous clarity. 640mm or 650 mm?
Radiused or flat fingerboard?
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| 2. Brazilian rosewood B&S DOUBLE TOP (Contreras style) Lattice braced ALPINE SPRUCE top CUTAWAY
Ready for immediate shipping US$ 2,380 1,814 €urosDHL Shipping: USA 144 USD, Europe 183 USD, Asia 238 USD |
Aged Brazilian
Rosewood B&S,
Doble tapa (Contreras style),
Lattice braced ALPINE SPRUCE TOP CUTAWAY . EBONY bindings,
16" radiused Ebony fingerboard, violin tie, armrest & bridge. DOUBLE
Soundports in lower bout, single soundport in upper bout, 640mm fret spacing.
Tahiti Mother of Pearl ROSETTE AND BRIDGE detailing. Embossed leather case
included. WORK OF ART !
Bellucci
concert cutaway are the ultimate cutaway guitars by far. Averaging 220
hours each to be constructed, when Tahiti mother of pearl is added to the
rosette, bridge, violin tie and headstock like with this babe, the work
hours easily stretch to 300. She's breathtakingly beautiful. Her sound
is full, powerful and long lasting. Listen how the bass booms while the
melody dominates throughout Romance. I felt the vibrations of her body
every time the bass strings were plucked. It is quite a sensation and one
that only the best instruments on the planet can deliver. I matched the
gorgeous book matched Brazilian rosewood from Minas Gerais (Brazil) with
an equally beautiful set of Alpine spruce. This particular spruce is the
highest growing tonewood on the planet: above 1800 mts. The high altitude
forces the fibers of the wood to be much tighter resulting in a much more
sonorous tonewood. It grows on the Italian Alps and I get all my supply
by my schoolmate Pierre that lives in Val D'Aosta. This is the type of
Spruce Stradivarius used for his violins and the sound on spruce top instruments
is known to age for centuries...so much so that Stradivarius violins peaked
in sound around the year 2000. Almost 600 years after being built !
The double top, was developed and introduced by Master Luthier Manuel Contreras the II at the end of the 70s and reached its peak in the 80s. The word "Tapa" in Spanish translates to top in English but it refers to the back of the instrument. Therefore, Contreras doble tapa is actually a "Double back". The lattice is a concept based on the A frame of grand pianos. The back and sides are kept rigid by means of a sturdy A shaped frame and the top is thinned as much as possible to allow the top to vibrate generously. Lattice delivers a lot of volume a tremendous clarity. 640mm or 650 mm?
Radiused or flat fingerboard?
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| 3. Brazilian rosewood B&S DOUBLE TOP (Contreras style) Lattice Braced Cedar top
Ready for immediate shipping US$ 2,280 1,738 €urosDHL Shipping: USA 144 USD, Europe 183 USD, Asia 238 USD |
Aged Brazilian
Rosewood B&S,
Doble tapa (Contreras style),
Lattice Braced CEDAR TOP. 16" radiused ebony fingerboard,
violin tie, armrest & bridge. Soundport in upper bout, 640mm fret spacing.
Birds eye Maple bindings. Embossed leather case included. A++ guitar !
The sheer
beauty and powerful sound that emanates from this masterpiece Cedar top
is simply fabulous. A gorgeous 94 years aged set of dark Brazilian rosewood
from Minas Gerais (Brazil) was matched with a superb set of Western Redcedar
(commonly known as Cedar). The Brazilian rosewood back and sides were made
in a double top Contreras style using Brazilian rosewood for the
second top. Contreras double top were made using cedar. In my part of the
world Brazilian rosewood is cheap and I can indulge in using it for the
double top construction when it is called for. What this does is augment
the depth and dramatically of the sound. Other woods I used in the past
for the double top are Cypress, Spruce, Cedar and Blackwood.
The double top, was developed and introduced by Master Luthier Manuel Contreras the II at the end of the 70s and reached its peak in the 80s. The word "Tapa" in Spanish translates to top in English but it refers to the back of the instrument. Therefore, Contreras doble tapa is actually a "Double back". The lattice is a concept based on the A frame of grand pianos. The back and sides are kept rigid by means of a sturdy A shaped frame and the top is thinned as much as possible to allow the top to vibrate generously. Lattice delivers a lot of volume a tremendous clarity. 640mm or 650 mm?
Radiused or flat fingerboard?
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| 4. Brazilian rosewood B&S DOUBLE TOP (Contreras style VAR. 1) ALPINE SPRUCE top
Ready for immediate shipping US$ 2,280 1,738 €urosDHL Shipping: USA 144 USD, Europe 183 USD, Asia 238 USD |
Aged Brazilian
Rosewood B&S,
Doble tapa (Contreras style VAR.
1), ALPINE SPRUCE TOP. Maple bindings, 16" radiused
ebony fingerboard, violin tie, armrest & bridge. DOUBLE Soundports
in upper bout 640mm fret spacing. Tahiti Mother of Pearl ROSETTE AND BRIDGE
detailing. Embossed leather case included. Marvelous !
If this
amazing concert guitar were an Opera singer, she would be Maria Callas.
I say this after having played on her for nearly 15 minutes after she had
finished the lacquering process this morning. An amazingly clear and strong
singing voice full of sweetness and sustain and an almost miraculous separation
of voices between the sustaining basses and the ringing trebles. Perfection
! I decided to go with Romance in the video because I could show
the reverberating and punching bass contrasting with the magnificent first
string that carries the overwhelmingly famous melody. The second and third
string complete the arpeggio to perfection adding the right amount of mid
ranges and overtones.
The double top VARIATION 1, was developed and introduced by Master Luthier Manuel Contreras the II at the end of the 70s and reached its peak in the 80s. In this Variation of the Double top, a second top (Cedar, Image below) is located halfway between the main top and the back. This top vibrates a fraction of a second after the first one creating an immense sustain and punch. tremendous clarity. 640mm or 650 mm?
Radiused or flat fingerboard?
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| 5. Brazilian rosewood B&S DOUBLE TOP (Contreras style VARIATION 1) ALPINE SPRUCE top
Ready for immediate shipping US$ 2,100 1,601 €urosDHL Shipping: USA 144 USD, Europe 183 USD, Asia 238 USD |
Aged, Highly
figured Brazilian rosewood B&S, Doble tapa
(Contreras style VARIATION 1) ALPINE SPRUCE TOP Masterpiece!
MAPLE bindings, 16" radiused ebony fingerboard, violin tie, armrest &
bridge. 640mm fret spacing. Embossed leather case included. UNIQUE
!
This is probably the oldest set of Brazilian rose I had the chance to work with (Approximately 99 years air dried). It has been air drying since 1909, way before the beginning of WW1. The aged set is responsible for he mature sound and the powerful and fast response on this stupendous guitar. As I played Galilei's Saltarello, I could feel the amazing punch of the D-A-D bass pedal sending amazing vibrations throughout the instrument and passing them to my chest. The feeling is difficult to put in words, but you feel all the life in this work of art literally coming to you. I made her a double top Contreras style Variation 1. What this means is that a second top, Western Redcedar, is mounted halfway between the main Alpine spruce top and the back. It is held in place by means of minute mahogany bridges.... The blend that Spruce and Cedar bring about in the sound is fabulous. You get the clarity of Spruce and the amazing punch of cedar. The sustain is breathtaking. The second top vibrates a fraction of a second after the first top. This creates the amazing sustain and power. Playing the instrument is easy due to the low action on the radiused 640mm action. Her beauty will conquer you from the first moment when you lift the lid on the case. She is pure and so full of minute details that you will find yourself staring at her for long stretches of time. A guitar o make you PROUD and HAPPY. The double top VARIATION 1, was developed and introduced by Master Luthier Manuel Contreras the II at the end of the 70s and reached its peak in the 80s. In this Variation of the Double top, a second top (Cedar, Image below) is located halfway between the main top and the back. This top vibrates a fraction of a second after the first one creating an immense sustain and punch. 640mm or 650 mm?
Radiused or flat fingerboard?
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.-Custom
orders:
Order today and your
custom concert guitar will be ready April 28, 2010
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