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The waiting list stands at: August 2012
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The options with an * must be selected

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Type of construction*
Classical (1400)
Flamenco (1400)
Thin Body Classical (1400)
Acoustic (steel string) (1400)

Special Configuration
Cutaway (115)
SPECIAL Cutaway (220)
Venetian Cutaway (200)
F Sound holes (320)

 
Venetian Cutaway
-Above, Venetian Cutaway
-Right, F soundhole
7 strings (550)
8 strings (850)
10 strings (1450)
 

Fingerboard*
radiused
Flat (0)
Radiused -16"- gentle radius (80) 
Radiused -20"-More gentle radius (80)
 
 

 615, 630, 640, 650, 660 mm*
Classical guitar scale lenght
Stretch
Regarding 650mm or 640 mm guitar construction, keep the following rule at hand: If the distance between the tip of your thumb and the tip of your little finger is equal or less than 9 in. when fully stretched, use 640 mm (image above). In over 33 years teaching and playing the classical guitar and having worked closely with such great teachers as the Spaniard Jose Tomas and the Uruguayan Abel Carlevaro, it came clear to me that often hard to polish musical passages were not the fault of the player but a fault of the scale used for the fingerboard.

615mm (110)
630mm (77)
640mm (45)
650mm (0) standard
660mm (110)

Special Features
Soundport options
The hole in the upper and/or lower bout is called Soundport or Monitor hole. It augments the trebles output and works as a sound monitor for the performer. I highly recommend this. I offer a simple version (image above to the left) and a more stylized version that resembles a Lute Rosette. 

Armrest (80)
Sound port, in upper bout (70)
Lute type soundport upper bout (120)
Lute type soundport upper & lower bout (240)
Sound port, in lower bout(70)
Soundports in upper & lower bouts (140)
violin tie (140)
 

Type of Finish*(read more)
Polyurethane Shiny (0)
Polyurethane Matte (100)
Nitrocellulose Shiny (100)
Nitrocellulose Matte (100)
French polish top, Polyuret. B&S (250)
French polish top, Nitroc. B&S (250)

Da Vinci Combo

Da Vinci Combo (480)

Right handed/left handed*
right handed  (0)
left handed(0)

Fingerboard material Selection*.

Ebony (0)
African Blackwood (highly recommended) (110)
Cocobolo (90)
Rosewood (40)
Maple (80)

Exclusive Bellucci Precision tuners

Gotoh Tuners with Ivoroid Buttons (170)
Gotoh Tuners with Ebony Buttons (200)
Schaller Tuners with Ebony Buttons (200)
Schaller Tuners with Perloid Buttons (140)
Luxury tuners with wood buttons (190)
Luxury tuners with Ebony and Pearl buttons (340)
Luxury tuners with pearl & abalone buttons (360)
Standard Bellucci Gold plated Carved (140)
Choose the Tuners

Select the back and sides*

Brazilian rosewood (1150)
Brazilian rosewood special figure (3800)
African Blackwood (1975)
Cocobolo (1150)
Maple (1150)
Macassar Ebony (1150)
Padauk (380)
Gabon Ebony (711)
Indian Rosewood (700)
Zebrawood (1150)
Ziricote (1150)
Tigerwood (1150)
California Laurel (550)
Paraguayan Lapacho (380)
Snakewood (1150)
Tasmanian Blackwood (1150)
Purple Heart (1150)

You can also order: White Oak, Indian Rosewood, Primavera, Tasmanian Tiger Myrtle, African Walnut, Leopard wood, Bocote, Monkey Pod, Pau Ferro, Koa, Bloodwood

Rosette*.
Choose the Rosette

Handmade Wood Rosettes (44)
Wood w/ Mother of Pearl rosette  (120)
Mother Pearl rosette (120)
 

Inlay work
Mother pearl inlay
Mother of Pearl Inlay work on the fingerboard, 
headstock, bridge and violin tie (680)
Abalone bindings
Abalone bindings (680)
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Electronics, Truss rod
Cutaway, electronics,
Truss rod non-adjustable (175)
Artec 4-band Eq. digital Tuner (390)
Pearl position marker on 7 (33)
Pearl position markers on 3, 5, 7, 9, 12 
(198)
Gold position marker on 7 (50)
Gold position markers on 3, 5, 7, 9, 12
(300)
Diamond pos. marker on 7 (75)
Diamond pos. markers on 3, 5, 7, 9, 12 
(375)

FIBER OPTIC MARKERS
Exclusive matching wood burl rosette (140)

After playing a  night concert a few weeks ago where candle light was all that the atmosphere required, I said to myself "I have got to make it possible to illuminate the position markers for extreme lighting conditions such as the one I'm in now!" . I started looking at different possibilities and found that nobody had ever attempted something like it on a classical guitar. The requirement was that it had to be indestructible, that it required no maintenance and that, should  one want to get rid of it, it had to be as easy as 1,2,3. It took me the best part of 4 days to finish this amazing work...
First, make a microscopic rout in the upper ebony where the fiber optic would rest once it was slipped in. then, cover the Fiber with a thin Ebony slip to hide everything except the light coming out from the small holes. It is stunning and an amazing satisfaction to have pulled this one off because I know that many guitarists often play in extreme lighting conditions if not in complete darkness. This is especially true for night club players or players that entertain friend in homes with special ambiance requirements like the one mentioned earlier. It is a breakthrough and it looks FANTASTIC !! The led that illuminated the optic fiber comes in red, blue, white and green. I have red and green and I can ship either led housing on request. The one in the picture is green.

Illuminated position markers
Nut and saddle*
Nut and saddle
bone (0)
Buffalo horn (55)
Adjustable saddle bone (80)
Adjustable saddle bone
When ordering a guitar, every player will ask me to set the action as low as possible without any buzzes... Since every player applies different amount of strength when plucking the strings it is impossible to set the action precisely to each player's will. The Spanish builder Fleta, had come up with this genial idea which consists of pushing the bone more or less into the groove on the bridge. The player would set the action to his liking and then either cut off the excess or keep it intact in case he decided to lower or raise the action depending on humidity conditions etc. On request, I can prepare a Fleta saddle bone for an extra 80 US$. 

ULTRA Construction (470)

Elevated fingerboard
& Special bracing techniques

Number of frets*
19 (standard) (0)
20 (40)
22 (140)
 
 

Select the top*
Choose the top

Western redcedar (0)
Italian Spruce (180)
Port Orford (250)
Canadian spruce (0)
Sinker redwood (350)
Alpine Spruce (245)
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Type of Bracing*.
Construction of the top

Hauser (0)
Lattice (110)
Double top Nomex (300)
Doble Tapa "Contreras" (200)
Doble Tapa "Contreras" Variation 
1 (260)
Doble Tapa "Contreras" Variation 
1 + Lattice (350)
Doble Tapa "Contreras" + Lattice (310)
Double Top Nomex + D.T.Contreras (500)
Double Top Nomex + D.T.Contreras V1 (560)

BREAK-IN THE SOUND
With the signed series, Custom Bellucci guitars and the "Da Vinci series" of Bellucci concert guitars, I offer a 24 hour sound break-in process. I place the finished instrument in front of a JBL professional speaker, put on a CD with Cello and Orchestral music recorded in different keys and performed by top players. I let the instrument resonate with the music. It is the best way to break-in the sound because the moisture in each fiber of the wood will be centrifuged towards the walls of the cell in a very controlled manner where a huge variety of harmonics are created and this will leave a permanent mark on the quality of the sound. Every part of the instrument vibrates well beyond the normal threshold. The guitar will vibrate more generously when her main key is produced by the speakers. This note may vary from a B, to a G or an A.  Breaking in the sound is the equivalent of walking in new shoes that have been walked in for a whole day prior to wearing them for the first time.

24 hour break-in (240)
Accessories.
Velvet Guitar protective clothing

Velvet guitar covers (35)

Optional accessories

Pro Hardshell (299)
Premium leather case (299)
Gold plaque with your name (149)
Guitar Humidifier (49)

DHL shipping*
DHL shipping to Americas (184)
DHL Shipping to Europe & Africa (223)
DHL shipping to Asia & Oceania (278)

Insurance(MANDATORY)*
Insurance (59)
TOTAL US$

Place your order clicking below

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Bestselling guitars PICK YOUR BEST SELLING MODEL AND CUSTOMIZE IT
Brazilian rosewood
Maple top masterpiece 
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Brazilian Rosewood, Maple top
Payments
As seen above, USD 5,295
Inlay Masterpiece
Work of art
magnify
Inlay masterpiece guitar
Payments
As seen above, USD 4,754
Brazilian Roserwood
The Tiger
magnify
The Tiger Concer guitar
Payments
As seen above, USD 3,959
Brazilian Roserwood Quad top
Double color Spalted
magnify
Brazilian Rosewood, Double color
Payments
As seen above, USD 6,780
Brazilian rosewood
The classical wood...
magnify
Brazilian Rosewood Bellucci concert guitar
Payments
As seen above: 2,859 USD
DHL Shipping: USA 184 USD, Europe and Africa 223 USD, Asia and Oceania 278 USD
Cocobolo, a gift from the gods to guitar players...
Cocobolo
Cocobolo concert guitar
Payments
As seen above: US$  4,630
DHL Shipping: USA 184 USD, Europe and Africa 223 USD, Asia and Oceania 278 USD
African Blackwood the most amazing tonewood...
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Blackwood concert guitar
Payments
As seen above: US$ 6,505
DHL Shipping: USA 184 USD, Europe and Africa 223 USD, Asia and Oceania 278 USD
ZEBRAWOOD, Everything you dream of a guitar...
magnify
Zebrawood
Payments
4,369 USD
DHL Shipping: USA 184 USD, Europe and Africa 223 USD, Asia and Oceania 278 USD
African Padauk, delivers music with fire and passion...
African Padauk
Bellucci padauk concert guitar
Payments
Basic configuration: 1,964 USD

Zorro
Zorro concert guitar
Payments
As seen above: US$ 6,505
DHL Shipping: USA 184 USD, Europe and Africa 223 USD, Asia and Oceania 278 USD
Maple, Beauty and purity beyond words...
Zorro
Maple
Payments
Basic configuration: 2,734 USD
Walnut
Macho Wood
Zorro

Payments
Basic configuration: 2,734 USD
African Walnut, the purity of wood from the heart of Africa
10 Strings
African Walnut
Payments
Basic configuration: 2,734 USD
KOA, Jewel wood from the 
Hawaiian Islands
Special designs
KOA CONCERT GUITAR
Payments
Basic configuration: 2,734 USD
Premium Bubinga, a Tropical waterfall
10 Strings
Waterfall Bubinga
Payments
Basic configuration: 2,734 USD
BRAZILIAN ROSEWOOD
Da Vinci
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Da Vinci
Payments
As seen above, 3,595 USD
Primavera wood, the wood from Paradise 
African Padauk
Bellucci Primavera wood concert guitar
Payments
Basic configuration: 2,134 USD
Tasmanian Tiger Myrtle,
AMAZING !
magnify
Tasmanian Myrtle concert guitar
Payments
Basic configuration: 3,084 USD
African Blackwood B&S
Curly Sinker redwood top
magnify
African Blackwood, Curly Sinker top
Payments
As seen above, USD 6,690
DHL Shipping: USA 184 USD, Europe and Africa 223 USD, Asia and Oceania 278 USD
Tasmanian Blackwood
SUPERB !
Cocobolo
Tasmanian Blackwood
Payments
Basic configuration: 2,734 USD
7, 8 or 10-Strings, to take guitar music to the limit
10 Strings
10- strings guitar
Payments
Basic: 2,374; 2,674 & 3,274 USD
Tigerwood, the name says
it all. Stunning to look at
Cocobolo
Tigerwood
Payments
Basic configuration: 2,734 USD
Snakewood, when wood
becomes a reptile's skin
Macassar
Snakewood, Leopardwood
Payments
Basic configuration: 2,734 USD
Tasmanian White
Oak
Cocobolo
Tasmanian White Oak
Payments
Basic configuration: 2,284 USD
California Laurel
Pure...
10 Strings
California Laurel
Payments
Basic configuration: 2,134 USD
6-10 strings Flamenco 
Blanca & Negra
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Flamenco
Payments
Basic configuration: 1,964 USD
Flamenco Blanca
Concert series
magnify

Payments
As seen above, USD 2,348
Lapacho
Paraguay's Prime Wood
magnify
Payments
As seen above, USD 2,519
DHL Shipping: USA 184 USD, Europe 223 USD, Asia 278 USD
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Click HERE to learn more about the general characteristics of each tonewood
Guitar tonewoods..
...
Bellucci guitars tops
          These are the main characteristics or Spruce, cedar and redwood: Spruce will give you a  brighter crispier sound with more punch....open, clear tone. Cedar, will be a little warmer. Spruce takes longer to open up.  You can also see it this way: Baroque Classical and Renaissance music will sound better on spruce, Romantic, Spanish and program music will sound better on cedar. These are of course generalizations and what is definitely true is that both Cedar and Spruce make for excellent sound boards. Redwood is very similar to Cedar but with more presence. Italian Spruce is my favorite. Brilliant sound and tight grain. Port Orford cedar has qualities of both Spruce and cedar. Sinker redwood is simply outstanding but rare and expensive. If you have other wood varieties in mind for the top, let me know.
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640mm or 650 mm?

Guitar scale lenght

stretch

Regarding 650mm or 640 mm guitar construction, keep the following rule at hand: If the distance between the tip of your thumb and the tip of your little finger is equal or less than 9 in. when fully stretched, use 640 mm (image above). In over 33 years teaching and playing the classical guitar and having worked closely with such great teachers as the Spaniard Jose Tomas and the Uruguayan Abel Carlevaro, it came clear to me that often hard to polish musical passages were not the fault of the player but a fault of the scale used for the fingerboard. Modern guitar construction is no longer dependent on scale length to produce a substantial volume. When we talk about scale length we are talking to the relative distance of the frets from one another... we are talking millimeters or fraction of a millimeter, but it is these fractions that make all the difference between flawless and sloppy technique....let alone the great frustration that derives from never being able to polish a given musical passage.

   Radiused or flat fingerboard?


radiused

The radiused fingerboard has been around the acoustic and the electric guitar since day one. The same is true for most instruments of the Stringed family of instruments (violas, violins cellos, bass). Radiusing (image above) makes barre and left hand stopping A LOT easier. The only drawback is that you will NEVER want to play a  flat fingerboard after that. If you are having your custom guitar built, I am all pro radiusing the fingerboard.  The standard fingerboard is flat. When you relax the hand, you will notice that the natural shape is with a slight curve on all 5 fingers. Pros playing is about achieving to perform on the guitar  in as much a natural and relaxed manner. Whenever you part from these directives, you are making your path to perfection steeper. 
The radius is standards on the acoustic, electric and archtop (jazz) guitar and, if you look closely, you will notice that these players will use lot less energy than classical players and that their fingers are almost always curved.

Fingerboard material
I strongly recommend African Blackwood. This is the hardest wood on the planet and, being a practically non porous wood, it does not loose nor gain humidity. Therefore, it never shrinks or curves and stays straight for centuries. Ebony is often considered the number 1 choice but it should not because it is extremely oily and porous and shrinks and contracts at different rates than the other woods used in the construction often causing problems. The second best choices to African Blackwood are Rosewood and Maple.

Gotoh or Schaller Tuners with matching buttons & bindings *

Choose the Tuners

Type of construction for the top:
 
1) Hauser: (IMAGE BELOW) It is perhaps the most traditional type of bracing for the classical guitar. It consists of a set of measures first introduced by the Spaniard Torres and later taken to its perfect format by the German Hermann Hauser III. Segovia played Hauser braced guitars for decades before he switched to the the Double top (Doble tapa)
Lattice VS fan
2) The lattice is a concept based on the A frame of grand pianos. The back and sides are kept rigid by means of a sturdy A shaped frame and the top is thinned as much as possible to allow the top to vibrate generously. As you see from the picture above, the thinned area is approximately 1.2 mm thick (VS 2-2.5 in the standard thinning techniques). Lattice delivers a lot of volume and wonderfully clear trebles.
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3) The Double top was introduced by Manuel Contreras II and refers to an additional piece of wood that is covering the inside of the back. "Tapa" in Spanish means back. Therefore, the Contreras Double top is actually a Double back. The other variation to the doble tapa, is a system I first saw and played on a 1986 Ramirez Doble tapa when I lived in Madrid. The system was a Contreras based one nevertheless. Choose Doble tapa if you want a SPANISH sound.
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4) The Double top Variation 1 (IMAGE BELOW), is a variation to the doble tapa Contreras.  It is extremely powerful. It consists of a second top (normally cedar) that runs parallel to the first one halfway between the top and the back. It is the system that better seems to show what one would expect a double top to look like. The 2 tops are connected through the sides and the transversal struts and the resulting sound is full and very powerful. This is the most laborious of the 3 doble tops from a construction point of view. It is my preferred type of bracing and augments volume and sustain exponentially.
Doble tapa, variation 1
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5) The double top with Nomex is also known as hollow top or composite top, consists of a sandwich type of construction where a thin layer of synthetic fire retarding material (Nomex) is inserted between two super-thin tops. The total thickness of the 3-layered top is equivalent to a normal top. The center layer is practically speaking hollow, therefore it is also called "hollow guitar top". This is more expensive because 2 tops+Nomex and special adhesives have to be used in the construction... Double top makes the sound of the guitar stay up longer before it decays. It brings about balance in the voices.
.Double top
Double top with Nomex core

Let me clarify that all the above types of constructions make for world class concert instruments. It is likely that if none of these sound familiar, than you always played on a Torres... (The system that Herman Hauser later perfected). The other systems are more expensive because more time is required in the preparation but they are not better nor worse, they are different. So that you can refer to sound in order to to decide, keep this in mind: John Williams' sound until 1986 was Hauser. John Williams' sound since 1986 is Lattice. Andres Segovia's sound from the 1980s is Double top (Var.1)

You can also hear hundreds of samples I recorded of the different types of bracings here . Do not hesitate to ask help m@il Maestro Bellucci


Types of finish
You'll read a lot of nonsense regarding the type of finish that best sutes a classical guitar. Mine at least, will fit in a nutshell:
It is essential that you know that the type of finish will not make any difference whatsoever on the type of sound your guitar will produce. All finishes elevate the pitch of the instrument a little (most people will not notice the difference). The finish was first introduced to bring out the grain in the woods and offer some type of protection against the elements. The most luxurious type of finish today is Polyurethane. It is also the most laborious. It requires a lot of space, air compressors,  protective gear to apply and luthiers willing to do a lot of sanding and clean up work. This is the main reason why most European and US builders will try to convince guitar buyers that French polish is better, bla bla... It is not ! It is easy to apply and requires little or no infrastructure and practically no space to work and, since most US and European workshops are small, it fits Northern hemisphere builders to perfection. 
French polish offers very little or no protection at all. I owned 3 instruments that were French polished and as soon as I could change the finish on them to Polyurethane, I did so. Unfortunately, due to the little protection that French polish has to offer, the woods were no longer as beautiful as they were originally...sweat had stained parts of the guitar and in some places dirt accumulated to a point that it changed the overall appearance of the instrument. BACK

ADJUSTABLE-SADDLE BONE
Adjustable-saddle-bone
 When ordering a guitar, every player will ask me to set the action as low as possible without any buzzes... Since every player applies different amount of strenght when plucking the strings it is impossible to set the action precisely to each player's will. The Spanish builder Fleta, had come up with this genial idea which consists of pushing the bone more or less into the groove on the bridge. The player would set the action to his liking and then either cut off the excess or keep it intact in case he decided to lower or raise the action depending on humidity conditions etc. On request, I can prepare a Fleta saddle bone for an extra 80 US$. 

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 Rosettes
new Bellucci guitar rosettes

Soundport
Special guitar features
The hole in the upper and/or lower bout is called Soundport or Monitor hole. It augments the trebles output and works as a sound monitor for the performer. I highly recommend this. I offer a simple version (image above to the left) and a more stylized version that resembles a Lute Rosette. 
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Violin tie and Armrest
Special features
The violin type of bridge is a great input in guitar construction. A lot of the strain caused to the guitar top by the pull of the strings is taken away prolonging the life of the woods for many decades. The armrest is also genial because it keeps the tendons in the forearm more relaxed and is a source of comfort during performance. The armrest also prevents the armrest from interfering with the vibrating top. Both look fantastic.

Highly detailed mother of pearl inlay
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Inlay work
Inlay work on the fingerboard,  headplate, violin tie and bridge. 
Magnify   Add US$ 688 for mother of pearl inlay fingerboard
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The mother of pearl inlay work adds immense beauty to the guitar. It is a labor of endless patience and elevates the guitar to an artistic level of AMAZING proportions. It is made entirely by hand and will keep you in awe for hours at a time.

Type of finish
The default finish on all Bellucci concert guitars is the shiny Polyurethane finish. It is the most used type of finish on guitars throughout the world. Nitrocellulose is very similar to Polyurethane but adapts better to sudden changes in temperature and humidity because it is a more flexible material. French polish is the oldest type of finish and often requested by sound purists especially on the top. 

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  • Truss rod 
The action on Bellucci guitars is set-up for maximum playability. Still, some players like to try different strings and the thickness changes from brand to brand resulting in unwanted buzzes. 
Truss rod
 
 
  •  Classical or cutaway
  • SPECIAL CUTAWAY


Special Cutaway

  • Position markers:
Position markers are used by novice and pros alike. Using them is a very personal decision. They come very handy helping one of memory's strongest allies: sight. These can be of mother of pearl, Gold or Diamond.

position markers
mother of pearl

guitar position markers

-Diamond, brilliant cut, position markers (below)

Diamond marker
  • Number of frets 
Most classical guitars on the planet use 19 frets. Some pieces like Agustin Barrios Mangoré "Un Sueño en la Floresta", require a high C on string 1. Those players who do not have 20 frets, have to glue a matchstick yo the fingerboard in order to play the piece....

19 (standard) 
or 20 frets (more frets on request) 
 
 

18 kt gold plaque with your name

18 kt solid gold palque
Magnify
Solid 18kt gold plaque with your name engraved

  •  Electronics 
Onboard equalizers have no effect on the acoustic performance of the instrument. Installing them, is not just a matter of making a couple of holes on the ring but a time consuming highly precise labor. The tuner which comes with the EQ is in my opinion a GREAT plus which you will find useful many times over.

4 band EQ tuner
MapleOptional Artec 4 band Eq/digital chromatic tuner 

.Guitar Humidifier
If you live in a cold region of the world, where heaters are used in the Winter, I suggest you buy a humidifier. Heaters can dry the air to a point where the woods begin to suffer. Humidity should be kept around 40%. This extremely practical humidifier is kept in the accessories case within the guitar case.
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Essential Guitar Humidifier

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Bellucci label

The New 2012 BELLUCCI guitars label

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    • PROTECTIVE GEAR


    These attractive hand sawn velvet guitar covers are very useful if you like to leave your instrument out of the case for long stretches of time. They are a great solution to avoid scratches during practice from the friction of buttons with the finish. To use it while playing, use it in the position shown to the right.

    These are hand sawn by the wife of my Leather cases embosser.

    USD 35

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COLOR A

COLOR B

COLOR C

COLOR D
In downtown Asuncion, they have this chair (image below)  on sale which I and a few of my students have bought.  It deals with the 4 leg issue of standard chairs, plus it is anatomically comfortable, light and is made of sturdy leather and wood. It can be folded really easily and carried everywhere. It allows to play with no footstool or with very low setting on the footstool (only 17 inches from the floor to the butt). Click on the button below if you would like me to purchase and airmail 1 to you. 
guitar chair
US$ 112
  • PREMIUM GUITAR CASE (hand embossed leather)
      The hand embossed leather case is a work of art on its own right. Built by one of a handful of very talented leather embossers in Latin America. It's built following my specifications for the interior to fit Bellucci guitars like a glove. All Plush interior. You can request that your initials be engraved on the case. 
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Exclusive embossed leather case, 100% handmade, Cow hide option
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  • BELLUCCI GUITARS MEASURES (click HERE to see the measures)
  • Shipping: DHL Worldwide, in an indestructible wood crate (8 mm thick reinforced walls). Receiving my guitar... Receiving your Bellucci guitar
Bellucci guitar cases Hand embossed leather case
     
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