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Indonesian Rosewood B&S, Cedar top Concert Classical Guitar
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Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar Indonesian Rosewood B&S, Cedar top Concert Classical Guitar
Bellucci Guitars

Indonesian Rosewood B&S, Cedar top

Indonesian Rosewood is a wood I fell in love with since I first started importing it from Java in 2011.

It is practically speaking identical to Indian Rosewood only that the figure it offers is always striking and represents some really intricate swirls and figures in the grain. I mounted a Canadian Cedar top to make her as Spanish as possible. Made her a Hauser braced to exploit the vast possibilities of sound that Hauser is capable of producing. This is the model that conquered Andres Segovia and made him switch from the Ramirez he had always played until that day to the Herman Hauser. Hauser presented him with a guitar whose sound was simply irresistible. That is why I called her "Segovia". We followed Hauser's blueprint to the last millimeter and the resulting guitar is one that speaks to the heart and mind with character and clarity. The voices are very well balanced throughout the fingerboard. The bass is full, resonant and with a punch that sends shivers through my body. The trebles and mid ranges are clear and they sing full of life and expression. In Romance the melody is clear singing majestically above the accompanying bass and in Bach's Air on the G string I admire her perfect counterpoint and perfect separation of voices. I decorated her using the most delicate marquetry. A colorful yet sober rosette with Mother of Pearl and Abalone linings, perfectly matched marquetry and Cocobolo Bindings. She is a dream to play thanks to the slim neck and a low action at only 3.5 mm at fret 12 with room to lower it even further. She fills my eyes with beauty and sobriety. A true work of art that will fill your days with joy and beauty.

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USD 2,980Add to Cart

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Add/remove extra

1- Position markers:

Add/remove extra Diamond mark: 5, 7, 9, 12, 15, 17, 19 — 600.00

2- Right handed - Left handed

Add/remove extra Left Handed (Left Hand Plucks) — 0.00

3- Scale (fret spacing)

Add/remove extra 615 (Very Small Hands) — 120.00

5- Guitar shape:

Add/remove extra Venetian Cutaway — 220.00

6- Construction of the top:

Add/remove extra Barbero (Flamenco) — 150.00

7- Radiused Fingerboard

Add/remove extra 20 in. Radius — 140.00

9- Soundport:

Add/remove extra Buffalo Horn — 55.00

13- Number of frets:

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