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Bach Prelude BWV 1007 TAB

Bach, Prelude BWV 1007 (TAB)

Transcription and Fingering: Renato Bellucci

Preludes are, generally speaking,  "appetizers" for the suite. They introduce the key and many musical ideas which will be developed in the movements (dances) that will follow.


Preludes were originally meant for church organs. They were  referred to as: "Crude and shapeless wanderings.. uninfluenced even remotely by song or dance.. fingers wander idly over the noisy keys presumably in order to loosen them up." 

This description is probably very accurate especially since it comes from a time when music was not a free art form but was strictly associated to other activities such as dance or prayer. The praeambula was the first spark of an amazing revolution which would be coined in the words art music. 

Bach was the essence of art music. He dedicated all his work to God but to Johannes, music was meant "to be worthy of" God. Therefore, when his genius was freed from the strict musical forms of the time and was allowed to wander  in a free form such as the prelude, semi-miracles would result. 

This is the reason why Bach preludes can stand alone as great masterworks. The soul of the composer stands out in every measure.

Bach Manuscript
In Bach's case, Preludes acquire such a dimension that they stand alone as complete units, displaying all the German genius' creativity and spirit.

Staff and Video 16

This is a wonderful section which prepares the listener for the beautiful crescendo leading to the glorious finale. Mark the counterpoint in these measures.

Video 16

Staff and Video 17

The counterpoint becomes lively and solemn presenting a third voice (A). If you play the countermelody with the flesh of the thumb, you will achieve a great effect. The E is the static part of the section (pedal).

Video 17

Staff and Video 18

Video 18

Staff and Video 19

This is the cadence. A long sequence of chromatic thirds leading to the great finale.

cadence = A progression of notes and/or chords moving to a harmonic close, point of rest, or sense of resolution.

Video 19

Staff and Video 20

The whole prelude points to this electrifying finale. I play it twice. That is not how it appears on the original score but a musician has to learn how to read between the staffs.
Congratulations. 

Video 20
Asunción, October 31, 2003
Revision: Asunción, December 15, 2012
Revision: Asunción, Septiembre 14, 2023
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